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Selected Bibliography

Adams, Brooks. "Drawing on the Line": Hennessy's First Etchings. The Print Collector's Newsletter, Vol. XV No. 4, Sept. Oct. 1984, pp. 129 131.
Adams, Brooks. Abstract Baroque, Art in America, Nov. 1990, 182 187.
Adams, Brooks. Review, Art in America, Dec. 1982, pp. 125 126.
Adams, Brooks. Hodgkin's Subtext, Art in America, May, 1996, p.125.
American Abstraction, exhibition catalogue, Gallery 700, Milwaukee, Wisconsin, 1980.
Anderson, Alexandra. Review, The Village Voice, March 14, 1977.
Ashbery, John. Review, Art News, Feb. 1970, p. 16.
Ashbery, John. Review, New York Magazine, Oct. 6, 1980.
Ashbery, John. Review, New York Magazine, Sept. 24, 1979.
Baker, E. Letters to the Editors, Wrongful Death, Art in America, June 2001, p.21.
Baker, E. On Nationality, Thirteen Artists, (Interview), Art in America, September 1991, p.124-131.
Bernier, Olivier. The Art at the Top of the Stairs, House and Garden, Nov. 1983, pp. 188-200.
Brenson, Michael. Review, The New York Times, Jan. 25, 1985.
Brenson, Michael. Review, The New York Times, Jan. 4, 1985.
Castle, Ted. Charles Ludlam: The Mating of Theater and Art, Artforum, Vol. XX, No.1, September, 1981, pp. 66-72.
Clough, Charles, et al. Where the Meaning Begins, panel discussion, Tema Celeste, April-May, 1992, pp. 46-53.
Crimp, Douglas. On the Museum's Ruins, MIT Press, 1993, pp. 93-94
Crimp, Douglas. The End of Painting, October, vol. 16, Spring, 1981, pp.69-86.
de Coppet, Laura; and Jones, Alan. The Art Dealers, Clarkson N. Potter, Inc. 1984.
du Pont, Diana C. et. al. San Francisco Museum of Modern Art, the painting and sculpture collection. Hudson Hills Press, N. Y. 1985.
Duncan, Michael. Abstract Compounds, Art in America, March, 1993, pp.94-124.
Duncan, Michael. New Worlds of Colour, Modern Painters, Spring 2000, pp. 92-93.
Forster, Hal. A Tournament of Rose's, Artforum, Nov. 1979, pp. 62 67.
Glueck, Grace. Review, The New York Times, 25 Nov. 1983.
Glueck, Grace. various artists discuss Picasso, The New York Times, June 22, 1980.
Goodman, Cynthia; and Scott, Christopher. Interview, Arts, June 1978, pp. 124 125.
Harkavy, Donna; and Luntz, Holden. The Continuing Tradition of
Harris, Susan A. Review, Arts, Nov. 1982, p 58.
Henry, Gerrit. Review, ARTnews, Dec. 1980, p.204.
Hunter, Sam, et. Al. NEW DIRECTIONS, Contemporary American Art from the Commodities Corporation Collection, catalogue for touring exhibition, Dec. 9, 1981 March 13, 1983.
Huntington, Richard. Interview, The Buffalo News, Dec. 14, 1986.
Huntington, Richard. Review, The Buffalo News, Jan. 1986.
Huntington, Richard. Review, The Buffalo News, March 23, 1991.
Huntington, Richard. Review, The Buffalo News, May 6, 1988.
Jassaud, Gervais, et al. Global Books: Les Livres d'Artiste de Gervais Jassaud, Ville de Reims, Illus. pp. 26-27
Kaufman, David. From the Ridiculous to the Sublime, Interview, December, 1989, pp.78-120.
Kaufman, David. Ridiculous! The Theatrical Life and Times of Charles Ludlam, Applause Books, New York, 2002. See index.
Ketner II, Joseph D. Painterly Abstraction, Four Views for the 1980's, exhibition catalogue, Fort Wayne Museum of Art, Indiana, Feb. 5 March 14, 1982.
Kramer, Hilton. Review, The New York Observer, December 30, 1991.
Kramer, Hilton. Review, The New York Times, Sept. 19, 1980.
Larson, Kay. Review, New York Magazine, April 25, 1983.
Larson, Kay. Review, New York Magazine, January 27, 1992.
Lee, Marshall, editor. Art at Work, The Chase Manhattan Collection, E. P. Dutton, Inc., New York, 1984.
Levin, Gail and Tick, Judith. Aaron's Copland's America, Watson-Guptill
Liebmann, Lisa. The Imagination in Sheep's Clothing, Artforum, April 1986, pp.76 81.
Mannheimer, Steve. Review, The Indianapolis Star, Jan. 29, 1989.
Masheck, Joseph, editor. Page of letters about What's All This About Photography, Artforum, vol. XVIII, No.1, September, 1979, p.80.
Masheck, Joseph, et. Al. Critical Perspectives, exhibition catalogue, P.S. 1, Long Island City, NY Jan. 17 March 14, 1982.
Mason, Christopher. Artful mix, Elle D├ęcor, October-November 1997, pp.262-269.
Maynard, Patrick. Thinking Through Photography: The Engine of Visualization, Cornell University Press, 1997, p. 291
McCready, Eric. New American Painting: A Tribute to James and Mari Michener, exhibition catalogue, Archer M.Huntington Art Gallery, University of Texas, Austin, Jan. 12 March 5, 1983.
Myers, John Bernard. Tracking the Marvelous: A Life in the New York Art World, Random House, New York, 1983, p. 222.
Nabokov, Dominique. A weeklong electronic journal (Arts and Life). December 10, 2003. MSN, Slate.
Plagens, Peter. Review, Newsweek, January 13, 1992.
Pollack, Howard. Aaron Copland, Norton, New York, 1999, see index.
Publications, New York, 2000. See Index.
Ratcliff, Carter. Review, Art in America, May/June 1977, pp.113 114.
Ratcliff, Carter. Review, Art International, April, 1970, p.70.
Ratcliff, Carter. "A Conversation" (with Richard Hennessy), The Sienese Shredder, 2008. pp. 106-122
Raynor, Vivien. Review, The New York Times, Oct. 24, 1982, New Jersey ed.
Raynor, Vivien. Review, The New York Times, Sept. 26, 1982.
Rose, Barbara, et. Al. The End of an Era?, The Beginning of Another, The Journal of Art, Jan. 1991, p.49.
Rose, Barbara. American Painting: the Eighties, catalogue of touring exhibition, 1979.
Rose, Barbara. Miro in America, exhibition catalogue, The Museum of Fine Arts, Houston, Texas, April 21 June 27, 1982.
Rosenbaum, Lee. Getting Smart About Art, Money, Nov. 1982, pp.201 206.
Russell, John. Art People, The New York Times, Dec. 29, 1978.
Russell, John. Review, Miro in America, The New York Times, June 13, 1982.
Russell, John. Review, The New York Times, August 10, 1984.
Russell, John. Review, The New York Times, December 22, 2000.
Russell, John. Review, The New York Times, June 19, 1981.
Sandler, Irving. Art of the Post-Modern Era, from the late nineteen sixties to the early nineteen nineties, Icon Editions, New York, 1997, p.350.
Schiff, David. In An Ugly Century, A Place For The Merely Beautiful, New York Times, November 22, 1992, p.25.
Schjeldahl, Peter. Review, The Village Voice, January 21, 1992.
Schjeldahl, Peter. Review, The Village Voice, March 9, 1982.
Schwabsky, Barry. After the Great Separation: On One Tendancy in Recent Abstract Painting and its Background, Arts, Nov. 1985, pp. 22 25.
Schwabsky, Barry. Review, Artscribe, June/July, 1986, pp. 76 77.
Scott, Christopher. The Art of Edward Avedisian and Richard Hennessy, exhibition catalogue, Grey Art Gallery, New York University, Feb 1 March 4, 1977.
Smith, Roberta. Review, Art in America, Oct. 1979, pp.122 123.
Smith, Roberta. Review, The New York Times, January 10, 1992
Smith, Roberta. Review, The Village Voice, Sept. 28, 1982.
Wallach, Amei. Review, New York Newsday, January 17, 1992.
Westfall, Stephen. Review, Art in America, April, 1985, pp. 202 204.
Yau, John. Look Up And live: The Recent Paintings of Richard Hennessy, Arts, December, 1983, pp. 122 123.
Yau, John. Review, Art in America, November, 1980, p. 141.